This weeks episode is definitely a strange change of pace but I think you guys will enjoy.

This is what I look at half of the day.

The other day I came to work (set) on the film Sake Bomb with my iPhone’s trusty recorder switched on and recorded throughout the day random little tidbits of set life.

We talk to Grip dep, producers, art department, electric, P.A.’s, and background actors. Forget anything you’ve ever seen in a making of documentary. This is really what set life is like. It’s raw, real and unedited. To be honest it’s just a bunch of people joking around and doing their jobs.

Nothing too scandalous. But definitely not what you would expect if you’ve never been on a film set before. That and I realized just how much of a dick I can come off as. Good lord. Hope you guys enjoy the show!

-I’ll see you on set,

Buz

This weeks guest is the most talented writer director Eric England. I’ve been trying for months to get Eric on the show to talk about directing Madison County, Roadside, Contracted and to figure out just how he broke into this industry.

First dates are always a little awkward.

Get ready for a fascinating discussion on directing, writing, maneuvering in the business, jumping from independent to studio pictures, to VIP Hollywood parties with piles of cocaine.

Eric is open, honest, and above all a real talent. Enjoy folks!

I need to get back to work. There are call sheets to be made!

-I’ll see you on set,

Buz

Well…afternoon. This week’s episode takes “Different Show” to a whole new level. This is a much different episode than usual. The guest? Me! That’s right, your goodly host is this week’s guest.

Really? You have your name on your headphones?

I sit down with Josh, SSDS’s producer and editor, and talk about my week and what’s going on right now.

Also, hear a little about our new podcast coming out soon, Geek Dynamite. Stay Tuned!

It’s a short and sweet episode so enjoy a few minutes of ridiculousness and my excitement of templates. My margins are glorious.

Enjoy the shenanigans!

-I’ll see you on set!

Buz

Sure happy it’s Thursday because we have an awesome show for you today. This weeks guest is my good friend and one of the best actors I know Matthew Currie Holmes.

The question you axed me is a secret...Wow that was bad. I need to work on my caption jokes.

For a guy that claims to be a huge narcissist Matt is one of the kindest and coolest cats around. We met a few years ago and it took another year for me to realize that he was the the director in Wrong Turn 2 wearing the Battle Royale t-shirt. I felt a bit like an idiot when I finally realized this. I’m never going to get anywhere in this town.

Unlike Matthew who not only was an established Canadian actor, but also a story editor and is now moving into the director chair for his film P5YCH. Not to mention the star of Stay at Home Dad the John Skipp/Andrew Kasch short film I DP’d last year, which Mr. Holmes has won a few best actor awards for. We get to talk about all this and more while plugging and pimping products that we have nothing to do with. That being said we did want to plug the awesome Jump Cuts Cafe in Studio City because that’s where we recorded the episode!

Hopefully in the coming weeks we’ll have some live shows there that people can come and  and enjoy.

Enjoy the episode folks!

I gotta get back to work on Puppet Master X. Yeah that’s right. I’m working on a Puppet Master movie. Don’t be jelly.

-I’ll see you on set,

Buz

This weeks guest is our first Emmy award winner.

Obviously being on my show is THE highlight of her career.

What does she do? Well it depends on who you ask. If you were to ask Steven Spielberg he’d say she was a great foley supervisor. If you were to ask Joe Dante he’d say she was a great dialogue editor.

Either way you’d discover Solange is a fantastic post sound specialist. On this episode her and I sit down to discuss her long career of films ranging from Gremlins, to Die Hard 1, 2, and With a Vengeance, along with just what exactly she does in sound, what foley means, and I even get to explain a few camera terms to Solange!

So in essence we teach each other, which is what Solange does on the side at Video Symphony school in Burbank, CA. Which is a great school for both sound and video editing. Not to mention they were nice enough to let me use their recording booth to do this episode, and it is probably my best sounding episode to date!

So sit back and learn a thing or two about post production sound from a true professional in the business!

-I’ll see you on set,

Buz

This weeks guest on Same Shit, Different Show is screenwriter and actor Todd Farmer!

Todd kept pretending to be Bob Fosse during all of his close ups.

Todd and I met a few times over the years at various horror gatherings but I never really knew the guy until we did American Muscle together, where Todd played the main antagonist. Not to mention a hilarious story containing Nick Principi’s penis and Todd’s fake head.

While we go deep with American Muscle, we also dig into Jason X, and how Todd was trying to make an Alien film with Jason Vorhees, as well as My Bloody Valentine 3D and the gloriousness of Tom Atkins and Drive Angry gloriousness of Nic Cage.

Buckle up folks, it’s going to be a fun ride.

Also be sure to check out my daily podcast over at DreadCentral.com for Kasch and I updating you on everything Comic Con. We called it Comic Cocks. Because we’re assholes.

-See you on set,

Buz

We got a doozy of an episode this week. So doozified that our guest isn’t even using his real name. This week we welcome, Porno Mike!

Neither of these people are Porno Mike.

Porno Mike is currently an video editor at a big name porn distributor and boy does he have some stories. From QCing (Quality Checking) porn videos and catching women puking that was left in during a take, to having to cut around a guy pop shooting a little bit of blood. Shit, blood, piss, and semen. All in a days work for Porno Mike who cuts all these nuggets of disgusting out so you can enjoy your porn gag free.

Dear lord I’m getting sort of gaggy thinking about this.

So yeah, another porn filled episode folks. And not nearly as sexy as you’d like, so put your pants back on and sit tight. You’re in for a wild ride.

Also, happy belated birthday America.

-I’ll see you on set,

Buz

This weeks guest is Sean Clark, writer, producer, and celebrity manager.

Singing Whitesnake like a boss.

Sean and I for years way back in the day ran around the country shooting interviews for The Horror Channel, and eventually Dread Central. We both went off in our own separate ways and Sean went into managing celebrities for convention appearances as well as writing for Horror Hound magazine with his article Horror’s Hollowed Grounds.

If you’ve seen the Halloween 25 years of terror or the Never Sleep Again bonus features, you have seen an episode of Horror’s Hollowed Grounds in which Sean visits famous filming locations for your favorite horror flicks. If you haven’t checked em out, do so!

Sean and I sit down and talk about his film The Black Waters of Echo’s Pond (which he was the writer and producer on), Horror’s Hollowed Grounds,  just how the convention circuit really works, as well as living the life of a geek.

Enjoy folks! Also Sean’s film Black Waters of Echo’s Pond will be premiering on The Horror Channel UK this Friday at 11:00pm. 

Also, make sure to listen to my outro for some updates onto my firing earlier this week.

This weeks guest is my good friend Chelsea Alexander

So fucking serious.

who is on the show today to discuss the wacky strange world of Background Acting.

The great thing about this episode is the things Chelsea has learned through her recent career path can be applied to any other department as well. She has a very good set of rules to live your life by. We talk about that, her gigs on The Mentalist, pissing off the lead actress because you look better than her, hockey, and of course how to not be a dick.

Also we get to discuss a little bit of Paradise California because Chelsea and I are from the same town! Thus you get to hear all about the Gold Nugget Days parade, the greatest thing that side of the state.

Be sure to listen to the outro for some strange ramblings by yours truly since I recorded them outside of a Hooters while only on one our of sleep. Yeah that’s right.

Enjoy the episode folks!

-I’ll see you on set,

Buz

This weeks guest is the most awesome Kristen Zaik

Friendly staring into your soul.

who by all counts is a Jane of all trades. From acting, working at a visual effects post house, line producing, and being the host and producer of the travel channel pilot I flew out to Missouri to shoot, Kristen has quite the handful of industry experience.

And oddly enough, not only did Kristen and I work together on this pilot but years prior very early in my career I worked with her on a small b-horror film called Brides of Sodom.

Oh yes, we talk all about that, creepy auditions, low budget producing, reshooting an entire feature because the first time they recorded timecode on all the footage, and the travel channel pilot of course. Good times are had! Enjoy folks!

Don’t forget to retweet and repost if you’re enjoying the show!

-I’ll see you on set,

Buz

It’s Thursday so you know what that means. Brand spanking new episode of Same Shit, Different Show.

This weeks guest is American Muscle producer Travis Stevens

He's humming Pink Floyd's the Wall and vibrating my ear drums pleasurably.

who also produced A Horrible Way To Die, The Aggression Scale, and Mega Spider. 

This is a great episode to listen to if you’re a starving artist trying to figure out how to get your movie made because Travis goes into the very deep dark recess of the business side of the film industry, and just how mind numbing and painful it can be. But really…where to get your money. Because as Travis puts it “Wizards don’t give you money to make movies.”

Really great stuff. Along with all that we go into how Travis got his start from doing extra work on Starship Troopers and Jerry Maguire (with a hilarious Tom Cruise story) to doing free coverage on scripts just to make ends meet.

Hope you guys enjoy! And make sure to listen to the outro for a special announcement.

-I’ll see you on set,

Buz

John saw love at first site.

Fun episode this week with guest John Fallon, screenwriter and co-star of American Muscle. And not only is John a screenwriter and an actor, but he’s also the head honcho over at Arrow in the Head.

John and I sit down and discuss all of that along with his stint playing script doctor, his appearance in Saw II and Alone in the Dark (yes the Uwe Boll one), and of course American Muscle and how he wrote himself the only character with no lines.

I think you’ll come to learn that John is a macho kind of guy, and not the typical image a Canadian would normally come with.

And that’s a big part of the charm. Hope you guys enjoy the episode! Don’t forget to retweet and repost.

This weeks guest is the real American Muscle himself, Nick Principe.

Preparing to fight or having a thoughtful moment?

Name ringing a bell? If you’re a fan of the Laid to Rest films then you should Nick is the freight train of destruction and doom, Chrome Skull. The dude is 6’7” so I can see why him running after you with a knife would be terrifying.

But before Nick cut his teeth in the masked killers genre, he started his career from the ground up as a P.A., worked in art department, stunts, special effects, etc. Not to mention got himself on the cover of Fangoria Magazine. The man has done just about everything this business can throw at someone.

And of course Nick is the lead in that little action film American Muscle I did a few weeks back and after the shoot I had him come sit down for a few beers to shoot the shit about his life, career, and the art of acting and stunt work.

And just as a special side note, this episode contains probably the funniest story I’ve ever heard from the set of Dexter. Just listen for it and enjoy.

-I’ll see you on set,

Buz

C Nug getting Room Tone.

This weeks guest is the hilarious C Nug, our sound mixer from American Muscle, as well as the sound mixer from other films such as Aggression Scale, and A Horrible Way to Die.

Now I know what you’re thinking…who the hell is named C Nug? Don’t you fret, that is the first story we go into and discover the true origins of C Nug’s strange but quite funny name.

Then of course we delve into the technical trial and tribulations of sound mixing on set, while continuing to be a complete bad ass.

Listen and discover how C Nug controls his silent rage, manages to keep an entire working bar quiet with afternoon drunkards, and just how many times he’s heard an actor pee by accident.

Hope you guys enjoy!

Also be sure to listen to the outro for some of my own personal tales from the set of American Muscle.

-I’ll see you on set,
Buz

This weeks guest is Staci Layne Wilson, journalist and press agent extraordinaire.

The blue in her hair makes her easier to spot in the swarm of press at Red Carpet events.

Staci  has been working in around this town for quite a while now, and besides Andrew Kasch, is someone I’ve known the longest in L.A. When I got my first gig shooting the Devil’s Rejects premiere in San Diego many years ago, Staci was stationed right next to me on the carpet.

And while I hated doing the red carpets, Staci thrived and has built herself a nice career as a film critic, on camera personality, and host of Inside Horror. Not to mention an author!

So Staci and I sat down and chatted about what it’s like to be on the other other side of the business. The press world! From red carpets, to press junkets (and the idiot questions that come with it), dealing with publicists, and the convention circuit.

Buckle up folks. Here’s the not so glamorous side to getting your news on movies.

-I’ll see you on set,
Buz

This weeks guest is Eric Lennon!

You want me to clean up what...?

You definitely don’t know that name because Eric happens to be apart of one of the most unseen and under appreciated departments. He’s a Production Assistant.

That’s right folks! Finally got a P.A. on the show. And it’s a fascinating show at that. Delve into the mind of the production assistant and learns the do’s and don’t's of working as a P.A.

Eric and I talk about everything from being forced to do shitty things that don’t need to be done, dealing with asshole superiors with asshole ideas, and the all around association of the P.A. being the film sets own personal bitch.

Hope you guys enjoy!

Hilarious that the thing I needed the most on this show was a few P.A.’s so I could keep my sanity. And this week is an episode featuring one. SERENDIPITY.

-I’ll see you on set,

Buz

1. Stare at this Photo. 2. Listen to Electric Six's 'Gay Bar'. 3. ???? 4. Profit.

Good morning, internet.

This weeks guest is Andrew Furtado, an aspiring filmmaker (director) who came pretty close to living the dream but then had to leave town suddenly for reasons out of his control and is now trying to retrieve his previous contacts.

Which is an extremely difficult endeavor. When one becomes absent for a hot minute in this town, well people stop calling. It can really hurt you, which is why I still answer and do jobs for things I don’t exactly want to do.

Furtado and I talk about all of that, getting Wayne Brady to like him, assholes who want to watch the Laker’s game (seriously fuck that guy), me co-starring in Andrew’s short film “I Didn’t Break Up With You“, working at Funny or Die as both an intern to eventually directing sketches, and Furtado’s own podcast that he works on over at the Jim and Eddy Talk Shit network.

This is a damn funny episode folks…but a real one. Man tears may or may not happen. Just saying.

-I’ll see you on set,

Buz

Stopping that damn Fridge noise since '01, son.

Good morning, internet.

This weeks guest is sound designer Justin Cruse whose many credits include Lost, Never Sleep Again, and the always talked about short film Thirsty.

I’ve known Justin for quite a while now and he is easily one of my favorite people out here in the L.A. area and in the business.

So him and I sit down and have a cool conversation about sound, and just exactly how much work goes into it.

And while I know I like to discuss just how difficult Never Sleep Again was and how we had it so bad…at least we had each other.

KILL YOURSELF, or what Justin's Never Sleep Again protools file looked like.

Poor Justin was across the United States pulling his own hair out and fighting his own battles in Savannah while we worked over here. It was truly a nightmare for all (HAHA PUN). We go into all that and discover just why Justin calls sound design the Invisible Artist.

Also if you need a jack of all trades like Justin then head on over to his website, Haberslam Studios and check out his stuff!

Okay that’s it for me.

-I’ll see you on set,
Buz

Gotta love first dates with Joe.

Good morning, internet.

If you listened to last weeks episode you would know what an exciting cliffhanger we were left in with the first part of my conversation with director Joe Lynch.

This week we conclude our epic conversation and shift gears a bit. Last week was all about directing with the discussion including Everly, Wrong Turn 2, and golden Troma Films anecdotes.

On part 2 however, Joe goes into acting through a directors viewpoint with Adam Green’s new sitcom Holliston! Which Lynch is the co-star of!

We also go a little into Kasch and I’s short Thirsty, the hardships of making Chillerama and Knights of Badassdom, the Wrong Turn 2 marketing team, as well as all other sorts of mayhem that comes with being a director.

It's weird seeing people I know on a billboard all around L.A.

And because we talk about it a bit more in this part, enjoy the trailer for Knights of Badassdom!

And that’s it! Enjoy folks!

-I’ll see you on set,

Buz

Random fact: Joe is contemplating science.

This weeks guest, finally, is director Joe Lynch! Director of Wrong Turn 2, Knights of Badassdom, Chillerama and the soon to be shooting kick ass Kate Hudson flick Everly.

And not only is Joe one of the busiest guys I know directing, he’s also co-starring in Adam Green’s sitcom Holliston! Which is now showing on Fearnet (you should definitely watch it).

Joe and I sit down and chat about all these including directing strong personalities, the Fox marketing team, Joe’s time working at Troma films, his acting work with Andrew Kasch’s short Thirsty, and a whole mess load of other disgusting wonderful topics!

This episode did go very long so I split it into two parts! So first part this week, and next week you’ll get the second!

Enjoy!

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-I’ll see you on set,
Buz